Thomas William Hill

Thomas William Hill is a recording artist and soundtrack composer based in Nottingham. On one level a continuation of Hill’s background as a film composer, new album ‘Asylum For Eve’ also represents a distillation of his work in previous projects Wauvenfold and Origamibiro. With the former, beats, glitches and found sounds sat next to melodic synths, while Origamibiro sees the use of a range of unorthodox processes and contraptions, found objects, video feeds and multi instrumentalism. Live performances involve treated books, typewriters, found celluloid, paper, wildlife recordings, home movies, sellotape and bespoke visual contraptions. 

Thomas's soundtrack work includes three seasons of BBC Future's 'The Genius Behind', BBC Worldwide's trailer for series 7 of Doctor Who, and various other short films, animations, and adverts. Naturally, much of ‘Asylum for Eve’ calls to mind the universe of soundtrack composition, particularly the delicate scores of Gustavo Santaolalla and Thomas Newman. But Thomas locates these influences in the broader contexts of both his own musical trajectory and that of the wider genre of neo-classical music. 

http://www.tomwillhill.com

Releases

Asylum For Eve

Thomas William Hill

LP, CD and download

'Asylum For Eve' refers to a hypothetical imagining of ‘Mitochondrial Eve’, the theorised matrilineal ancestor of all living humans, reincarnated in today’s world of restricted movement. Threads inspired by this juxtaposition of division and connectedness run through the album, which drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music. 

After tracking down an old Bechstein Model 9 upright piano, Thomas set about modifying and preparing it with cardigans, screws and nails in order to provide the textures and timbres which characterise the album’s dense, affecting sound. Techniques also employed on the album include the intricate layering of bowed guitars and ukuleles, and fingerpicked violins, banjo and charango. It’s these processes, coupled with Thomas’s high quality composition and musicianship, that see the album at once expansive and intimate.